Hi everyone. This month we are looking back at an older technique, Stencil Monoprint. It's an easy and fun technique that creates lovely backgrounds or main panels for cards.
Please check out the details for the technique and link to videos on the blog ...
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My first card above uses powdered inks (Brushos - Terra Cotta, Orange, Leaf Green, Light Brown). Using powdered inks or sprays allows me to make a positive (print) and negative (monoprint) from just one application of colour (see pictorial below). I used one of my favourite stencils (Joyful Sunflower - The Crafter's Workshop), which was a gift from a sweet friend several years ago. I'll share my print card at another time.
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For my second card, I used powdered inks again (Brushos - Lime Green, Leaf Green), along with the Wander & Find stencil (Carta Bella - retired).
I stamped the Pop Sunflower image onto mixed media paper, watercoloured using Distress Inks, fussy-cut, and popped it up over my Stencil Monoprint background. That little bird is so sweet! :)
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Here is a pictorial of my process of making the Stencil monoprints with powdered inks.
1) Stencil on mixed media paper 2) Brushos sprinkled over stencil
3) Right card - Water misted over 4) Left card - Inky stencil flipped onto
Brushos (positive print) second card / blotted with
paper towel (stencil monoprint)
5) Stencil removed 6) Left to Right -
/ paper left to air dry Stencil monoprint
/ Print (finished Stencil Monoprint)
Here's what I learned when I experimented with this technique ...
- This is an easy technique that works with lots of different mediums, substrates, and stencils.
- It can be a main panel or background - so lots of flexibility
- Use a generous amount of water so the colour spreads, especially when using powdered inks.
- Important to remove the stencil quickly after spraying with water. This prevents the water from spreading under the stencil and loosing definition of the design.
- You can create several panels with one application of ink. Repeat adding inked (wet) stencil onto card and blotting with paper towel until there isn't any colour left. First stencil monoprint will be the strongest colours, each monoprint will be lighter in colour than the previous.
Thanks for stopping by!
Card #1:
Stamps: Pop Sunflowers (Stampendous); Simply Sentiments (Lawn Fawn)
Paper: White card stock (Neenah 110 lb.); Mixed Media (Strathmore 140 lb.); Early Espresso (SU!)
Ink: Brushos: Terra Cotta, Orange, Leaf Green, Light Brown; Versamark
Accessories: Clear acrylic block to elevate panel when adding stencil and ink (optional - but worth it), Mini Joyful Sunflower stencil (The Crafter's Workshop); Water Mister, White embossing powder (Ranger); heat tool
Card #2:
Stamps: Many Everyday Messages (Hero Arts - retired)
Paper: White card stock (Neenah 110 lb.); Mixed Media (Strathmore 140 lb.)
Ink: Black Pigment: Versafine Clair Nocturne; Brushos: Lime Green, Leaf Green; Distress Inks: Mustard Seed, Spiced Marmalade, Ripe Persimmon, Gathered Twigs, Mowed Lawn (Tim Holtz)
Accessories: Clear acrylic block to elevate panel when adding stencil and ink (optional - but worth it),
